I Loved You All:
A Novel
by Paula Sharp

Author . Discussion Questions . Reviews

3. Some critics described Isabel as "affectionately" portrayed and well-intentioned, while others proclaimed her "impossible to like" and even "strident." She is described by the novel's characters in very different ways: as "a jewel" by Mrs. Groot "a saint" by Mrs. Wroblewski; a savior by Mahalia; "a one-woman police force" by David; a "one woman-circus" by Mr. Brewer -- and "a cake made with one ingredient," by Marguerite. Do you see Isabel as sympathetic? Does she have a beneficial or harmful effect on the Daigle family?

4. Why is Mahalia initially drawn to Isabel? What psychological features of the right-to-life cause allows Mahalia to use it as a vehicle for expressing feelings about her family?

5. Why does Marguerite "fall apart" and start drinking so heavily? Why do her problems have a different impact on Mahalia than on Penny?

6. Who deals more effectively with Penny? Sister Geraldine or Isabel? How does David view Penny?

7. What advantages are there in having Penny narrate the novel? Is it important that Penny is a girl and not a boy?

8. Penny describes Isabel in retrospect, saying, "Isabel often brought food, inquired abut every child's health, and never reacted to violence or poverty or squalor with even a flicker of the kind of condescension or horror that would have added a burden of shame to the homes of the people she visited. In this way she insinuated herself into people's lives, always half-invited by that variety of misfortune that leads people to call out fervently and indiscriminately to anyone." Is this description accurate? How would you characterize Isabel's relationship to people she serves through her missions?

9. To what extent is Mahalia's conflict with her mother an attempt to define herself as someone who is not marginal, but instead part of the mainstream? How does Mahalia's relationship with Isabel both aid and thwart such a desire?

10. Is Isabel in love with Mahalia? Does she see her as a friend or daughter? As an aspect of herself?

11. What is Isabel's relationship with Stein Evangelical? To Mrs. Esselborne and Reverend Bender? In the end, do you think that Isabel betrays her church and cause, or that the church betrays her?

12. Do you see the Gwendolyn Brooks poem, "the mother," as being for or against abortion? What is it about the poem that makes Isabel so angry and leads to her obsession with eradicating it from the school curriculum? Do you think Isabel reads a lot of poetry? Books other than the Bible?

13. What is Isabel's attitude toward language generally? Does she it as a means of expression, or as a potential vehicle for the devil? How do Isabel's religious beliefs dovetail with her willingness to censor literature? Do you think she is right in wanting the poem removed from the high school curriculum? How do the high school students see Isabel?

14. Why does F.X. send Isabel letters signed by "Fetus Elegante"? What are Fetus Elegante's beliefs, as expressed in F.X.'s letters? What point is F.X. trying to make when he has Fetus Elegante tell Isabel to refrain from speaking for the unborn? Why does Fetus Elegante become a maverick at the end of the novel, and defect from the Fetal Committee?

15. Would it be fair to say that the adolescent characters in the novel are operating according to a set of concerns and rules different from the adults'? Why do Roberta and Lucy run away in the end? What motivates Nicky to participate in the arson?

16. Is Nicky likeable? Why does Penny approve of him? What is special about Isabel's relationship with Nicky?

17. Does Isabel relate to teenagers differently than the other adults do? Why does Isabel show an interest in adolescence that she does not bestow on adults?

18. What emotional reasons, unrelated to the right-to-life cause, does Mark Coker have for committing a crime at the end of the novel? Does Isabel unwittingly lead Mark and Nicky into involvement with Mr. Petty and in the arson? Or do Mark and Mr. Petty involve Isabel in an act she was unable to foresee?

19. What factors drive Mahalia away from Isabel in the end? Do you think Mahalia's obsession with ferns is her way of biding her time until Marguerite returns to help Mahalia deal with her budding sexuality?

20. What factors drive Mahalia away from Isabel in the end? Do you think Mahalia's obsession with ferns is her way of biding her time until Marguerite returns to help Mahalia deal with her budding sexuality?

Copyright © 2000 by Paula Sharp. All Rights Reserved.

"[Sharp's] characters are intriguing down to the last man, woman and child. This story is a book-discussion group's dream." --The Seattle Times 

"Even the minor characters seem to get up and step off the page . . . I loved this book . . . Sharp's gifts are enormous." --Craig Seligman, The New York Times Book Review 

"[T]his beautifully written story, full of wry observations about human nature and the abortion debate, will resonate with all those who have ever laughed or cried at their own family's absurdities. Bottom line -- sharp writing." --Olivia Abel, People magazine 

"What memorable characters Paula Sharp creates in I Loved You All and what a great story she tells. Sharp writes with splendid humor and intelligence, nowhere more so than in dealing with the tricky right to life debate. This is a thoroughly enjoyable book." --Margot Livesey, author of The Missing World 

"Paula Sharp borrows a line from Gwendolyn Brooks' bittersweet and unblinking abortion poem called "the mother" for the title of her new novel. In I Loved You All, Sharp promptly repays the loan and adds substantial interest . . . The characters are intriguing down to the last man, woman and child. There is pathos, sly wit and dramatic surprise . . . This story is a book-discussion group's dream." --Barbara Lloyd McMichael, The Seattle Times 

"Without taking sides or descending into cliché, Sharp brilliantly navigates the political and religious waters that swirl around the pro-life movement . . . The narrative moves swiftly from conflict to conflict, buoyed by Sharp's perfect timing and occasionally ecstatic prose." --Publishers Weekly, starred review 

"Barely three pages into Paula Sharp's second novel, the realization crept in: that I might be holding the next Oprah book in my hands, and that to my horror I was unabashedly enjoying it . . . Sharp manages to construct deep characters and complex relations with just a few sentences -- the sign of a natural storyteller." --Ed Neuert, Salon.com 

" . . . wonderfully inventive. The hyperactive but observant Penny proves a rich and innocently ironic voice." --Stephen Amidon, USA Today 

"Sharp succeeds where other novelists have failed. The characters are vivid, and Sharp's writing is lyrical and piercing throughout . . . I Loved You All is a stunning accomplishment . . . One can only wonder what she'll do to surpass this." --Amy C. Rea, Literal Mind Fiction Book Review 

"Memorable . . . Sharp manages to treat a controversial subject with appropriate depth without letting I Loved You All become a political tract, and her powers of description keep the story going until its dramatic conclusion." --Lisa Pitnik, Redbook 

"A touching depiction of modern families and the dangers and pitfalls they face, I Loved You All is both compelling and haunting, while Sharp's writing is witty, fresh, and-at times -- dizzyingly brilliant . . . I Loved You All is a rare compilation of compelling plot and fabulous characters who draw readers in from the first page and keep them clinging to every written word." --Heather Grimshaw, Bookreporter.com 

"Sharp does a splendid job of creating characters who are recognizable and original." -Susan Hall,Baiduf, The Charlotte Observer 

"Paula Sharp has crafted a fine book, unpredictable and sensitively written." --Jennifer Smith, The Madison Isthmus 

"[T]he book is an unqualified success. Each of Sharp's characters is a carefully drawn, three-dimensional individual full of passions and faults . . . Sharp succeeds in creating characters with whom we may feet a sense of connection that reaches beyond our views about any specific issue." --Rob Cline, Iowa City ICON 

"Well worth reading . . . Recommended for all public libraries." --Library Journal