“Pop Vivaldi’s masterpiece into the CD player, brew a pot of tea, and prepare to relinquish the rest of your afternoon. Corona brings Venice and Vivaldi to life, delivering a stirring story of love, ambition, and music that will keep you reading long after the last note of the concerto has ended.”
—Lauren Willig, author of The Secret History of the Pink Carnation
“Corona does a magnificent job of showing us the violent contradictions of life in 18th-century Venice, through the eyes of two musically gifted orphan sisters. Their relationships with music and particularly with the complex, enigmatic figure of Antonio Vivaldi are sensitively explored. This novel resists the easy cliché and really succeeds in drawing a world that is both panoramic and intimate.”
—Susanne Dunlap, author of Liszt’s Kiss
“Music and the dangerous, exquisite world of 18th-century Venice form the setting of this poetic, sensual story of two orphaned sisters. The Four Seasons is a beautifully written addition to the handful of fascinating novels about women and the arts in this most intriguing of cities.”
—Stephanie Cowell, author of Marrying Mozart
“Laurel Corona’s The Four Seasons is a poignant tale of two sisters, layered exquisitely over the exotic world of brilliant priest/composer Vivaldi and his 18th-century Venice. The result: a vibrant crescendo of hearts and history.”
—Karen Harper, author of The Last Boleyn and The First Princess of Wales
“I’ve never been to Venice, played a violin, or for that matter carried a tune, but after reading The Four Seasons I feel that I’ve experienced all three, and through them come to a better understanding of the many forms love takes. Brava, Laurel Corona.”
—Sally Gunning, author of The Widow’s War and Bound
